Louisville BalletBrings artistic diversity to the stageBy Jeff WisserLouisville Ballet steps into its 73rd season this fall looking to make connections with its audience with a lineup that promises existing classics, along with some newer pieces that are likely to become new classics.
“We’ve talked a lot about boldly moving forward this season, and we want people to see beloved traditions and fun world premieres and inspiring stories,” said Regan Nichols, chief marketing + development officer for the organization. “And so we really are placing the connection center stage to make sure that people can see how ballet can be explosive and transformative and surprising and healing. We’re just trying to really drive the diversity of the art form.”
That artistic diversity ranges from pieces set to the works of classical composers to the debut of choreography set to music by Louisville rapper Jack Harlow. It stretches from “The Nutcracker” to “A Time Remembered,” which marks the 80th anniversary of the Holocaust.
Performances will take place at the intimate Louisville Ballet Studios, Whitney Hall and the Brown Theatre.
“It’s important to put on diverse and unique types of work, in addition to keeping your classics, because we want to make sure that we still are true,” Nichols said. “But those classics were new at one point in time. And so some of your new works maybe then evolve to be classics as well, which is important for us, too.”
Here is the season at a glance:
STUDIO CONNECTIONS, Sept. 13-22, Louisville Ballet Studios
A mix of classical excerpts and a world premiere featuring “Pas de Six” and “Tarantella” from “Napoli” Act III, choreography by Marius Petipa, “Entrance of the Shades” from “La Bayadere” Act III, choreography by August Bournonville, and a world premiere choreographed by Artistic Director Mikelle Bruzina. Established in 2012, “Studio Connections” offers a closer look at the artistry of ballet at the company’s intimate Main Street studios.
TRIPLE TAKE, Nov. 1-3, The Brown Theatre
A mixed-repertory program featuring new works by Harald Uwe Kern, Adam Hougland and Ching Ching Wong, with the music of Igor Stravinsky, Robert Schumann and Louisville-based rapper Jack Harlow. Hougland’s world premiere is set to music by Stravinsky, Kern’s “Influences,” features the music of Schumann, and Ching Ching Wong’s “502” puts the music of Harlow front and center.
THE BROWN-FORMAN NUTCRACKER, Dec. 13-24, Whitney Hall
Discover unforgettable memories with a Kentucky-crafted holiday tradition. “The Brown-Forman Nutcracker” brings the story of Marie and her nutcracker prince to life with local flair. The journey to the land of the Sugar Plum Fairy features sets and costumes crafted for Kentucky (with a nod to the Kentucky Derby), and magic and illusion designed by Marshall Magoon.
A TIME REMEMBERED, Feb. 1-2, Whitney Hall
In partnership with the Jewish Federation of Louisville and Kentucky Opera and in memory of Minx and Sy Auerbach, “A Time Remembered” is headlined, “Art. Hope. Healing.” Marking the 80th anniversary of the end of the Holocaust, it’s a story of the healing power of the human spirit to overcome great tragedy.
CHOREOGRAPHERS’ SHOWCASE, Feb. 21-March 2, Louisville Ballet Studios
“Meet your new favorite ballets” is the tagline for this performance. Celebrating its 30-year anniversary, this dynamic annual production highlights the innovation and athleticism of the Artists of Louisville Ballet.
CINDERELLA, April 4-6, Whitney Hall
Experience happily ever after as audiences and dancers have a ball before the clock strikes midnight in Louisville Ballet’s glittering and hilarious take on the classic tale of love, magic and transformation, choreographed by Alun Jones.
“We want to put on unique productions like that so that people can see a full scale of what dance and ballet are,” Nichols said, “because there are a lot of ways to define what ballet dance is, or isn’t.”
And that is precisely the point of the upcoming season’s diverse offerings.
“It’s more about the diversity of your season to appeal to a lot of different audience members,” Nichols said. “And even that ‘Triple Take’ show is going to have some of your more traditional numbers in it. We’re trying to expose people to all different things. I think that’s part of what the arts should be doing, is kind of stretching your perspective and maybe stretching your comfort zone.”
Visit https://www.louisvilleballet.org/ for more information on Louisville Ballet, or for tickets to the 2024-25 season.